Film
Black Panther: Wakanda Forever is miraculous, in that it’s a Marvel movie that doesn’t come across as a link of sausage plopped wetly out of the Disney grinder.
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From Mobile to Mars, from the mind of Robin Williams to the rise and fall of a Pez entrepreneur, and with a side trip to Newton South High.
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Amanda Kramer’s created a thoroughly campy and celebratory ode to queerness that stands as both a timely political statement and a genuinely well-crafted piece of independent filmmaking.
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A wrap-up of the London Film Festival that focuses on two favorites, Inland and The Store.
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Both of these films explore the theme of difficult males and resilient, caregiving females.
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It is pretty clear that this Canadian band was not in the right place at the right time, despite the ferocious energy and speed of its music and sublime performances.
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This little-seen film, disturbing, uncompromising, often darkly funny, should be recognized as one of the most original American independent films of this century.
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Two films look at the hardships and realities of rural life, past and present, at the New York Film Festival.
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In James Gray’s new film, the tragedy and pain behind Jewish assimilation lurks just out of frame.
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Yes, an ingeniously kaleidoscopic surface, but is there anything here, in terms of motivation, to justify all the fuss?
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