Film
Boston Strangler centers on women journalists who are devalued and must hold their own, demanding safety and justice in a society that doesn’t always deem them worthy of protection.
Pro wrestling fans will undoubtedly love how Monster Factory takes them behind the scenes, but even those who have never watched the sport will find the docuseries intriguing.
A lot seems to be going on beneath the surface, but the surface itself is so beguiling, with the scenery, sea, and sunsets rapturously shot on digital cameras by cinematographer Artur Tort, and with the alternately lulling and agitating soundtrack, that the urgency tends to lapse.
Inside‘s visceral demonstration of the alienating capacity of technology and the reduction of art to rich people’s toys may be a bit pat, but the film finds the space within these cliches to stage a compelling human drama.
Featuring a transcendent performance by Bill Nighy, Living inspires viewers to look inward, and then outward, gently begging us to muster whatever power we have to seize the day.
In this complex and enigmatic film, director Davy Chou has skillfully conjured up both a sense of time’s passage and a mood of timelessness.
This year’s Berlin International Film Festival launched a couple of films aimed at a mass audience. The results were mixed.
The Quiet Girl is the first Irish language nominee for the Best International Feature Oscar, and it’s not hard to see why this subdued gem of a film is capturing hearts.
The populations in former Soviet Socialist Republics and current NATO members Latvia, Lithuania, and Estonia know all too well what it’s like to live under Russian subjugation as is seen in a trio of trenchant and timely documentaries.
Film Commentary: The Books That Shaped My Film Aesthetic
Here’s a personal list of the 25 most important, influential books about American cinema. Only one book per author.
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