Film
>Like many fads from the ’90s and early aughts, beanie babies are now getting the Hollywood treatment.
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The greatest enigma “Oppenheimer” poses is recognizing the difference between good and evil and how to act accordingly.
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Johannes Vermeer as a person and a painter remains a mystery, but this documentary expertly probes the brilliance of his art.
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Singing the body electric in “De Humani Corporis Fabrica.”
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Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
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The acts of reinvention in “Mission: Impossible–Dead Reckoning Part One” are revelatory, object lessons for how all future summer sequels can be written.
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“The Lesson” is well-crafted, infused with nervy suspense and an almost Gothic sense of unease.
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“Lynch/Oz” roams from The Yellow Brick Road to “Mulholland Drive”.
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Despite the fragmented nature of the protagonist’s memories, everything comes together in Revoir Paris. It is as though her life was a puzzle to be solved.
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Film Commentary: “How I Learned to Start Worrying and Fear the Bot”
Long before the current writers’ strike, Hollywood was sounding the alarm about the dangers of AI.
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