Film
The relationship between the two leads keeps Nowhere Special grounded in what is the film’s moving core — a high-stakes love story between a father and a son.
Veteran British director Ken Loach turns over a new leaf in “The Old Oak”.
“Challengers” is an exploration of eroticism in the broadest sense: the eroticism of competition, the sensuality of sport, and the messiness of human relationships.
Documentaries celebrating communities shine at the Independent Film Festival of Boston.
Want to see some excellent new films? How about in pairs?
“Billy Ruane built a legacy, and 14 years after his death you can still feel his presence in local clubs. He fermented a scene that still lives on today.”
The best part of the Silver/Ursini book is the padding, the last forty pages in which the two authors go past “Double Indemnity”‘s release to contextualize it within the generic stream of “film noir”.
“Sasquatch Sunset”‘s directors claim they were interested in respecting the universal connection between man and nature, albeit with plenty of humor.
“Hollywood’s Imperial Wars” is at its best as a bold and informative survey of the movies that the studios felt it was “credibly possible” for them to make after Vietnam.
Whatever else 2024 has in store for queer filmmakers and audiences, there’s likely to be nothing else that’ll put a smile on your face quite like “The People’s Joker.”
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