Film
“I Saw the TV Glow” is nothing short of astonishing, a defining moment in queer cinema in the making and proof positive that Jane Schoenbrun is one of our generation’s most needed filmmakers.
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The relationship between the two leads keeps Nowhere Special grounded in what is the film’s moving core — a high-stakes love story between a father and a son.
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Veteran British director Ken Loach turns over a new leaf in “The Old Oak”.
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“Challengers” is an exploration of eroticism in the broadest sense: the eroticism of competition, the sensuality of sport, and the messiness of human relationships.
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Documentaries celebrating communities shine at the Independent Film Festival of Boston.
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Want to see some excellent new films? How about in pairs?
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“Billy Ruane built a legacy, and 14 years after his death you can still feel his presence in local clubs. He fermented a scene that still lives on today.”
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The best part of the Silver/Ursini book is the padding, the last forty pages in which the two authors go past “Double Indemnity”‘s release to contextualize it within the generic stream of “film noir”.
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“Sasquatch Sunset”‘s directors claim they were interested in respecting the universal connection between man and nature, albeit with plenty of humor.
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“Hollywood’s Imperial Wars” is at its best as a bold and informative survey of the movies that the studios felt it was “credibly possible” for them to make after Vietnam.
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