Film
“Eephus” could’ve become a piece of conservative-leaning nostalgia but, to its credit, it refrains from making small-town sports great again.
The stunning painting is beautifully presented in this documentary, but the flood of references to other works of art and quotations from classical and Renaissance writers might make the film a bit slow going for someone with no background at all in Renaissance cultural history.
Errol Morris takes another look at Helter Skelter and the Charles Manson murders.
Director/actress Paola Cortellesi’s “There’s Still Tomorrow” is yet another bold cinematic plea for women’s rights.
Bong Joon Ho’s “Mickey 17” is one of the most vicious, cruel, and savagely arch vivisections of our global economic and socio-political reality since… well… Bong’s 2013 movie “Snowpiercer”.
A review of two fine backstage (or offstage) comedies at the Berlinale — “Blue Moon” and “Koln 75”.
“V66 is a piece of broadcast history that a lot of people don’t know about. I’m proud to be the person to tell its story.”
“The Monkey” is a delightful exercise in black humor.
Two heartfelt documentaries about the Hamas attack and hostage-taking have premiered at this year’s Berlinale and have been received respectfully, even welcomed.
Arts Remembrance: Gene Hackman — Hero and Antihero
Gene Hackman’s legacy will never fade, and now, with his passing, many filmgoers may finally appreciate the enormity of his talent and the enduring impact of his work.
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