Film
With Lady Bird, Greta Gerwig has come up with what will surely be one of the best films of the year.
Edgar Allan Poe: Buried Alive does an honorable service for the writer who embodied, as well as created, “The Imp of the Perverse.”
The Brattle Theatre has come up with a specially-curated slate of films that honors the cinematic underpinnings of Netflix’s Stranger Things.
The King’s Choice is a thoughtful nail-biter, a suspenseful historical drama.
Finding Kukan is a compelling detective story covering the fields of World War II history and film preservation.
It is most effective when it dwells on the sad influence of history, on personal tragedy, on the banality of evil and cruel indifference.
What follows is a succession of images and tableaux static enough to make Michelangelo Antonioni look like an action-movie director.
Lucky is a showcase for Harry Dean Stanton’s unique talents, which primarily lie in his inhabiting roles as an amped-up or quirkier version of himself.
What keeps Stronger from turning into a patly sentimental yarn is Jake Gyllenhall’s modulated performance.
Film Commentary: October — A Month of Horror, Multiplying
I love subtlety, and beauty, and trash, and terror, in equal measure.
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