Film
Not since Michelangelo Antonioni’s Blow-Up and L’Aventura has there been such a mesmerizing tale of the more you look, the less you find out.
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Journalist Ian Nathan presents Peter Jackson’s trials in bringing Tolkien’s books to film as if he was writing a spy thriller.
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The film captures everything I love about Queen — the outrageousness, the audacity, the bigness of it all.
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This is a sublime little film — an elegantly cross-stitched portrait of an all-American family fracturing under the weight of broken dreams and false promises.
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Border memorably skims the border between reality and the supernatural, examining the irreconcilable division between the civilized and the perverse.
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While nothing happens, there’s an understated splendor in all that’s uneventful here, so much so that I didn’t want to miss any of it.
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There are words of wisdom for artists here: they offer a simultaneously nauseating and heartening view of the trade for those actively practicing.
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What is distinctive about Jane Gillooly’s superb documentary is its patient unfolding of the history of discrimination in a specific area.
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These are not stodgy actresses, but a diverse of group of women proffering salty temperaments, glowing façades, and the exquisite articulation that reflects decades on the stage.
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Film Commentary: FilmStruck Untimely Struck Down
Why is the curtain suddenly dropping now on FilmStruck, a vast, diverse, and tastefully curated archive of films spanning the past century and the entire globe.
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