Film
The Nightingale delivers an indelible vision of inhumanity perpetuated by colonialism and white privilege.
feels both cautionary and elegiac; it is obviously relevant in these times of extremism and the rise of small town tyrannies.
After the Wedding never finds its emotional rhythm; melodramatic confrontations about betrayals and past choices lurch clunkily along.
D. A. Pennebaker was inventive, dogged, and had the ability to win people’s trust.
Quentin Tarantino delights in exhausting his audiences as much as he does in entertaining them.
A genre debut as self-assured as Luz is always exciting.
Under the Silver Lake would be infuriating were its Charlie Kaufman-inspired adventures not so entertaining.
This is a perfect guilty pleasure, an old fashioned B-movie without a franchise, explosions, overly recognizable actors, or exhausting mano a mano violence.
People versed in modern witchcraft or paganism may recognize some of the themes examined in Midsommar, but what I found most fascinating was the pronounced emphasis on female sexuality.
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