Film
This is another visit to the world of Spinal Tap. I had some good laughs, and that might be enough.
Several films in this year’s festival explore the nature of dreams and the people who are driven by them.
It’s up to us to champion films like “Boys Go to Jupiter,” which push the medium into exciting new territory when AI slop is literally banging at the door.
Considering the chaotic state the world is in, there is something to be said for this kind of film — a nice little movie that supplies a welcome pick-me-up
Film noir’s penetrating, knowing diagnosis of, and response to, corruption and venality prepares us for the dank turpitude that lurks in places both highfalutin and hidden.
Viewers would be wise not to search for a deeper meaning in “Caught Stealing” — this is an example of entertaining commercial filmmaking from one of our best directors.
An engagingly put together cinematic celebration of the cat.
If life among these four characters risks being so monotonous over the course of an hour and 45 minutes, just imagine what it must have been like to endure months of lockdown before a vaccine became available.
Grief and generational trauma have become the horror movie villains of our time, taking the spot once occupied by masked killers.
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy