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“PoemJazz” is a project where music and poetry reinforce each other, where the declaimed poetry works like the sung line of a song — though Robert Pinsky never sings or pretends to.
More than the threat posed by the ghost, “Presence” is desperately terrified of ambiguity.
International flamenco artist Omayra Amaya’s upcoming Boston shows represent a moment of both reunion and reflection.
The publication of “There Is a Deep Brooding in Arkansas” is especially welcome and necessary at this time.
One of translation’s greatest powers — its ability to take a text out of one historical period, literary tradition, language, and set of conventions and transplant it into another — is a delicate procedure.
Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
“Enigma” is as unlike the standard sports documentary as a Cybertruck is to a F-150.
The Rabbis Go South tells the story of a little-known episode in the fight for desegregation: 16 rabbis were invited by Martin Luther King to be part of the 1964 civil rights march in St. Augustine, Florida.
It is impossible to think that anyone could have been exposed to David Lynch’s work — its generous vision, so far-reaching in its scope, so recognizably rooted in the modern human condition — and not come away changed, haunted, and awed.
In a production filled with emotional intensity, Audra McDonald delivers a powerhouse portrayal that elevates a somewhat uneven staging.
Arts Commentary: These Goosesteps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic