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I am probably the last person anyone would see as a hip hop fan, but I walked out of the theater with a new appreciation for the music and the satisfaction of experiencing an old-fashioned coming-of-age story told in a refreshing new way.
The eccentric and charming “Computer Chess” focuses on a group of geeks concentrating on what they see as the infinite microcosm to be found on the sixty four squares of the chess board.
“Into the Nightmare” is a great book, a monumental book, and an authoritative assimilation of forty years of what everyone, off and on the record, has argued about the Kennedy assassination, plus what author Joseph McBride himself concludes.
This is Michelle Dorrance’s break out year, or perhaps more accurately the year people outside the intimate tap community got to know her by sight and reputation.
Rogue Burlesque will be performing an unfiltered homage to our fixation with nerd culture, from “Weird Al” Yankovic and Superman to Edgar Allan Poe.
The name of the band itself comes from a tune by the most “classical” of all jazz bands, the Modern Jazz Quartet.
Critics have been more than kind to “Museum Hours,” respectful of its sleepy intellectualism in a 2013 summer of brainless action flicks.
“North Shore Fish” introduces, but then glosses over, the potent issues of working class women struggling to support their families in dead-end factory jobs while their fisherman husbands remain out of sight.
The Peterborough Players have put together a “Seagull” that floats elegantly on nineteenth-century Russian and twenty-first-century American wings, simultaneously bright and dark.
Arts Commentary: A Call to (Proper) Arms — Why a Science Fiction/Fantasy Fight Over Sexism Matters
Call it dueling futures. Because the battle for the soul of the science fiction and fantasy community is about nothing less, and even if we in the mystery community never considered the impact of a chainmail bikini, you may want to sharpen your broadsword.
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