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Respect for the building and its makers, respect for the historical study of art, respect for the visitor’s relation to the displays. These are qualities that I find in the New Rijksmuseum and missed in the old one.
Read MoreThere is a steadiness about Nicholas Roe’s writing that is deceptive; the life in the Life does not jump off the page, but it accumulates during the reading so that something of what it felt like to be around John Keats remains, as things do when truly experienced.
Read More“A Constellation of Vital Phenomena” is spectacular.
Read MoreMay is inevitably one of the busiest times of year on the Latin, gospel, and R&B concert calendars as promoters hold Mother’s Day’s events and try to lure audiences indoors one last time before the start of summer.
Read MoreWhile reading Andre Maurois’ “Climates” you feel your world narrowing in uncomfortable ways.
Read MoreThe return to the standard repertoire, which, since January, has been the orchestra’s primary focus, is safe, unassuming, and (potentially, at least) creatively stifling.
Read MoreWhat about Bert Stern, the artist? He deserves credit for bringing fashion photography into the modernist moment in the late 1950s and early 1960s.
Read MoreIn George Balanchine’s Serenade and Symphony in C and in Wayne McGregor’s Chroma, architecture comes to the fore, but not exactly conveying the message that company director Mikko Nissinen seems to have intended.
Read MoreThe first Boston Calling Music Festival, plus Buffalo Tom, Mean Creek, Andrea Gillis, and Math the Band.
Read MoreCriticism is vital to our time because it is a form of witnessing, testimony to the possibility that the richness and joy of the arts can be articulated in ways that invite intellectual contentiousness in the midst of community.
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