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Surrounded by the gilded ornamentation of the Boston Opera house, the three minimalist pieces that make up “Close to Chuck” could not be any more of a contrast.
A trio of superb off Broadway plays explore the complicated faces of love and lust — from the seamy to the sublime.
If calculating pi to a far-off-integer isn’t for you, TAO Dance Theater’s baffling kinetic exploits may seem less like an incredible journey than a trudge to a dead end.
Are the 16-year-olds in the deep South capable of such a challenging, cumbersome construction task? Especially with the school year coming close to an end?
I had the opportunity to see two performances of Peter M. Floyd’s Absence at Boston Playwrights’ Theatre.
Polish writer Marek Hlasko sometimes writes like Hemingway, but without the premium the latter placed on honor and grace.
As a songwriter, Stephen Malkmus specializes in hooks that never quite resolve, melodies that jump in all directions, and lyrics that drop a few enticing references and then move on.
George Orwell strikes me as a man who was easy to love because he had a tenderness in him that runs like a stream throughout these letters and makes you feel, as you read, how much you would have liked to know him.
A lack of dramatic combustion sometimes makes the Lyric Stage Company production, despite its intelligent detail, more staidly melodramatic than it should be.
Music Commentary: Vinyl Resting Place – How To Love LPs Not Too Much But Well
The LP format has had mobs of claims made about it over the years, some silly, some solid. As an old platter-flipper pro, here’s my take on some of them.
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