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Book Review: “Four Princes” — Sixteenth Century Carnage

March 30, 2017
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A historian’s view of the tumultuous world of early sixteenth century Europe, an age of exploration, revolt, and religious upheaval.

The Arts on the Stamps of the World — March 30

March 30, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

CD Reviews: Philip Glass Piano Works and Dessay’s Pictures of America

March 30, 2017
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There have been lots of recordings of Philip Glass to hit the market recently. One of the highlights is Víkingur Ólafsson’s Piano Works.

Theater Review: “Chill” — Millennial Melodrama

March 29, 2017
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Chill is a solid enough attempt to dramatize a millennial coming-of-age story, but it is reluctant to probe very deeply into the guts of the zeitgeist.

Stage Review: “Our American Hamlet” — Theatrical Redemption

March 29, 2017
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There are powerful intimations of modernity in the writhings of Edwin Booth’s psyche.

Stage Review: “Sinners” — Theater that Matters

March 29, 2017
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Questioning Joshua Sobol’s right to write about these kinds of intimate atrocities is to suggest that stages should never address these issues.

The Arts on the Stamps of the World — March 29

March 29, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

DVD Review: “Canoa: A Shameful Memory” — A Masterpiece of Mexican Political Cinema

March 28, 2017
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Canoa is a historical drama about the horror of history, made all the more frightening because it is based on a true story.

The Arts on the Stamps of the World — March 28

March 28, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Concert Review: Grand Harmonie’s March Madness

March 28, 2017
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This invigorating, sometimes unpredictable, Beethoven-heavy program certainly offered its share of athleticism and energy.

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