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Happily, the composers on this compelling BMOP program were not cowed by tradition.
“Trial 4,” along with other currently streaming crime docuseries, examines the systemic biases, misuse of official force, and internal corruption that impede and subvert justice, undermine convictions, undercut integrity, and erode public trust.
The arty, satirical rockers from Akron, Ohio, remain a singular entity — Devo has been as inspirational as it has been influential.
“A Precise Chaos” examines, with profundity, intricate human patterns of memory, history, and love, where the personal and the political intertwine and nothing ends cleanly because nothing is ever entirely lost.
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Pietro Auletta’s “L’Orazio” (1737), with substitute arias by other composers, gets a first-rate performance from the renowned Valle d’Itria Festival.
You could say that Thomas O’Grady’s poems have the eyes of a horse — channeling history and mythology through the contemporary lens of poetry’s eternal present.
Russian composer Dmitri Shostakovich was both a rebel and a conformist, a fascinating hybrid of courage and cowardice.
Ferruccio Busoni’s century-old (or -young) Doktor Faust, inspired by Christopher Marlowe and other pre-Goethe sources, offers a fascinatingly hellish ride.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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