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Monica Bill Barnes, a dancer-choreographer, mime, storyteller and soft satirist, has riffed in the past on the pitfalls of dancing, the vanity of performers, the absurdities of adolescence. Now she’s looking at gender displacements and assertions.
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Mainstream environmentalism is not just serious and sanctimonious, it also happens to be very white and very heteronormative.
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What are the best new documentaries available on digital platforms? Read on.
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J. B. Priestly’s shallow characterizations keep his vision of moneyed skullduggery mundane rather than monstrous.
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In Transit, Christian Petzold explores why the ghosts of Europe’s troubled past are stirring once more.
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The HTC’s Romeo and Juliet may be dressed in modern trappings, but the play’s elemental heart and soul are left fully intact.
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To Sleep with Anger is a masterpiece, a powerful reminder that, however seductive the devil might be, he can be overcome.
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The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.
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Hal Blaine contributed so much to such a large number of rock and pop’s greatest hits, that his music will continue to be heard and appreciated for as long as there are radios.
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Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?
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