Featured
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Beyond Utopia is a grim reminder that, against growing odds, people keep leaving North Korea, or try to. It may be a while before another family agrees to film the journey out.
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Made in China 2.0 is valuable as an act of theatrical witnessing, the voice of a rebel who is facing considerable challenges from the powers that be.
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Hey, any string quartet that has performed and recorded with Chick Corea (in the album “Hot House”) is ok by me.
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The first three episodes of the second season of The Legend of Vox Machina exceeded expectations.
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Tom Verlaine will be most remembered for Marquee Moon, both the album and title track, which alone would be enough to seal any legacy.
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My second crop of Sundance screenings features three films that are all about women who, on some level, retreat from certain aspects of their lives: their pasts, their trauma, their public persona.
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Kim’s Video is quixotic in a nutty way — in an old Indie style — that is more refreshing than it is nostalgic.
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Wadada Leo Smith is among the most prolific composers of string quartets in the modern era, the only Black composer to have written so many, and one of the most adventurous writers of quartets in terms of his notation system and the distinctiveness of his musical language.
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Book Review: “The Constitution in Jeopardy” Wrong Diagnosis and Solution
This is the Catch-22 of American constitutional politics. We the people are free to propose any structural reform we want except that they’ll all suffer the same fate: strangulation at the hands of petty politicians in Washington or the state capitals.
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