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Concert Review: The Sessanta Tour — Three of Alt-Rock’s Top-Tier Bands Triumphant

April 4, 2024
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Sessanta succeeded in making “old” songs and “old” bands sound powerful, vital, and progressive.

Music Feature: Rock Garden Records — Fertile Soil for Dynamic Artists

April 4, 2024
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“There needs to be a bigger sense of community in the music world. Artists and labels and venues need to help each other out. There’s a void out there and I think Rock Garden Records is a positive new development.”

Weekly Feature: Poetry at The Arts Fuse

April 4, 2024
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This week’s poem: Sean Cole’s “From The October Project 2022 with David Kirschenbaum”

Design Commentary: The Future of Boston’s White Stadium — A Public/Private Gordian Knot

April 3, 2024
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Many in the increasingly vocal community of stakeholders feel strongly that tradition, history, and student sports will be the victims of this apparent corporate/public conflict.

Book Review: Vincent Czyz’s “Sun Eye Moon Eye” — Cozy with the Quotidian and the Cosmological

April 3, 2024
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Logan Blackfeather is such a marvelous hero — and he is, in most senses of the word, heroic — that most readers will quickly connect with him and happily trail him through the significant stages of his education.

Poetry Review: “The Collected Poems of Delmore Schwartz” — A Necessary and Welcome Gift

April 2, 2024
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Let’s hope that this book will provide an overdue and well deserved third act for the poetry of one of the twentieth century’s poetic masters.

Poetry Review: Victoria Chang’s “With My Back to the World” –“What if I’ve spent my whole life wanting to be seen?”

April 2, 2024
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Victoria Chang’s collection proffers a valuable invitation to readers to look at realms of the self that they would prefer to ignore.

Theater Reviews: Broadway Taps the Bookshelf — Musicals Based on “The Notebook” and “Water for Elephants”

April 1, 2024
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Two new musicals attempt to capture the magic of two beloved books. With mixed success …

Book Review: “Pilobolus” — Movement, at Wild Play

April 1, 2024
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Drawing on wide-ranging research and personal anecdotes gathered during the time he spent with the company, Robert Pranzatelli navigates us through the insouciance and absurdity of Pilobolus’ past.

April Short Fuses — Materia Critica

April 1, 2024
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

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