Featured
“If I Had Legs I’d Kick You: is a powerful addition to the recent female-created examinations of the ways women, and particularly mothers, can be unsupported or outright dismissed by contemporary society.
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“Against Morality” is the cri de coeur of a cultural critic who realizes that the presentation of art and its adjacent pursuits, including much art itself, have become the subsidiaries of progressive politics.
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Documentaries at the Boston Palestine Film Festival look into the abyss.
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With its visual and emotional impact, “Leonardo! A Wonderful Show about a Terrible Monster” provides an expansive, more inclusive view of what theater can do for children.
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The week’s poem: Jennifer Martelli’s “Monday Night”
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Journalist Cory Doctorow transforms what might be seen as a viral complaint into a theory of digital decay, tracing how the internet’s early architecture of openness curdled into a landscape of monopolized chokepoints.
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Host Elizabeth Howard talks to South African Shakespeare scholar Chris Thurman about how the Bard is regarded, discussed, and performed in a postcolonial, post-apartheid country.
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Seasoned fans were most likely to appreciate My Morning Jacket’s generous — if imperfect — sprawl.
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Whatever really happened in those hectic weeks of December 1791, this modern take on the creation of Mozart’s Requiem might well turn out to have classic possibilities of its own.
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Visual Arts Commentary: The Boston Public Art Triennial — Recognizing and Celebrating Our Visual Arts Connections
Through the efforts of the Boston Public Art Triennial, the City of Boston’s civic life and built environment have been enhanced and strengthened. Bravo!
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