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When Barry Schneier felt it was time for his next photography project about musicians, he decided to get to know his subjects, not just shoot them.
“All We Imagine As Light” is an absorbing celebration of female friendship.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
A collection of quotes that have stung or sustained me over the past 12 months.
“Babygirl” comes off as a rather lascivious take-down of yet another older woman who has everything she wants except … sexual excitement.
Is it possible to reclaim a marginalized legacy? And how do you step up to take a seat at the table when your history has been neglected and forgotten?
After five decades of blending strong technique with playful satire, the Trocks continue to impress, but some of their once-fresh humor feels a bit played out.
Perhaps director Marielle Heller decided that “Nightbitch”‘s unusual premise had to be balanced with a decorous storytelling trope.
It seems every year the quality of feature films, especially those from mainstream studios, is getting worse, while that of documentaries is getting better.
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