Featured
“I still pinch myself that I got to work with Clint Eastwood. But any anxiety quickly dissipated upon meeting him. He is so cool and calm and funny and easy.”
A corrupt media lies at the core of “The Seed of the Sacred Fig”‘s powerful condemnation of Iran’s politics, particularly their treatment of women, often in unexpected ways.
In Godwin Louis’s music, prayer seems best expressed in dance.
Carlos Simon’s gifts and voice are real even, as with every composer, his muse sometimes leads him down errant pathways.
There’s plenty in Magnus Lindberg’s viola concerto to occupy the ear, and pianist Claire Huangci makes the complex passagework of a trio of American composers speak with breathtaking ease.
To his credit, Mark Cousins does provide some insights into Alfred Hitchcock’s motifs and obsessions, from doors to staircases to creepy, dank interiors crammed with gizmos, gewgaws, and cobwebs.
“We want everyone to come and let out a primal scream,” said Amanda Palmer of the Dresden Dolls.
It is time for some fierce pushback from the artistic community and lovers of the arts to Generative AI Leaders.
Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
Thanks in large part to the late Phil Lesh’s influence, the performances of the Grateful Dead developed a signature blend of composition and improvisation.
Recent Comments