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The Hartford Stage may be far from the shores of the Nile, but this lively production of Antony & Cleopatra and the company’s rejuvenated theater space are fit for the entertainment of a Pharaoh. Anthony & Cleopatra by William Shakespeare. Directed by Tina Landau. At the Hartford Stage, 50 Church Street, Hartford, CT, through November…
Read MoreBook lovers and filmgoers have long been able to sample art from anywhere they wish—to read a book in translation or to rent a DVD if they didn’t like the latest releases in the theaters. Now, because of HD, devotees of the stage will be able to roam the world. By Bill Marx. A Disappearing…
Read MoreEver since the Guggenheim got its face-lift a couple of years ago at age 50, Frank Lloyd Wright’s once-controversial museum has become one of my favorite visual arts venues in the city. I like strolling up the spiraling ramp, looking at one picture after another placed in the order that the curator thought the exhibition…
Read MoreMusic making of this caliber communicates—yet transcends—the tragic tone of these dramatic, religious texts. It brings both the words and the audience who hears them to life. By Susan Miron. Stile Antico, the youthful vocal superstars of Early Music, thrilled a packed St. Paul Church in Cambridge Friday evening. Having wowed audiences at Boston’s Early…
Read MoreAlfred Brendel was the first pianist to record all of Beethoven’s piano music in the 1960s and made many world tours with the 32 sonatas, which seemed like old, close friends. At times he would simply play a snippet here and there to illustrate a point, yet never long enough to satisfy this listener. I…
Read MoreI’ve been ruined by the Met at the Mall. Despite the worn-out, industrial carpeting and the popcorn and the lack of glamor, there are great advantages in seeing opera at the movies these days with state-of-the-art technology, especially the sound. By Helen Epstein. After spending most of the last opera season at the Burlington Mall…
Read MoreParody is an art, and like any other art it calls for both imagination and technical skill. It is not enough for a parodist to detect absurdity in others. He must create something absurd himself—something deliberately, enjoyably absurd – John Gross, The Oxford Book of Parodies. The Method Gun by Kirk Lynn. Directed by Shawn…
Read MoreBy Bill Marx Can’t we get our unjustly neglected American playwrights right? A chance to see a marvelous, overlooked American play of the 1950s. And it is not by the prosaic William Inge. “When something seems ‘the most obvious thing in the world’ it means any attempt to understand the world has been given up.”…
Read MoreHowl, the film version of the story behind the poem “Howl,” is defeated by its own messy pretensions, faring best when it reflects the unselfconscious spirit of the poet, veering into chaos when it tries to do more than pay homage to its namesake. Reviewed by Dylan Rose. Howl comes off as a mixed bag.…
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