Dance
Sankofa Danzafro’s Accommodating Lie, is a bold work of art that delivers an indispensable history lesson.
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Energizing, joyful, expert, close to sure-fire, Chasing Magic was a great choice to reopen A.R.T. after the long pandemic shutdown.
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Elizabeth Howard talks to Stephen Petronio, choreographer, dancer, and the artistic director of the Stephen Petronio Company, about what plans forward-thinking artists have for the future.
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I can still feel the exhilaration, the rush of the opening of things, from that day.
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Texturally, François-Xavier Roth and Les Siècles’ serve up diaphanous performances.
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Contra-Tiempo sees the pandemic as an invitation for transformation: the performance questioned who we are, how do we move among each other, and what gives us joy.
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Body and Soul generates a whirligig of passions — joy, frustration, pleasure, and rage.
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Re-envisioning and performing this beloved classic ballet with dancers that identify as disabled seems to me to be the definition of courageous.
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Bottom line: these are excellent performances and a valuable documentation of Elliott Carter’s early work.
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Author Interview: Vermont’s John Killacky — At the Service of Art, Critique, and Civic Conversation
“I believe artists create a safe space for unsafe ideas in our world.”
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