Dance
The five performers with Down syndrome danced along with three professionally trained dancers without disabilities — and they all looked wonderful.
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Whereas tap dancer Caleb Teicher is all idiosyncrasy, the Trinity Dancers wow by their perfect unison.
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There’s something gleefully retro about his hour-plus-long jukebox.
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International flamenco artist Omayra Amaya’s upcoming Boston shows represent a moment of both reunion and reflection.
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Is it possible to reclaim a marginalized legacy? And how do you step up to take a seat at the table when your history has been neglected and forgotten?
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After five decades of blending strong technique with playful satire, the Trocks continue to impress, but some of their once-fresh humor feels a bit played out.
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When the performers finally left the platform, breathing hard, crawling towards us and into the audience, I realized I was seeing something new.
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“Modern dance is not a secret club. Yes, we are presenting masterpieces by a visionary 20th century artist, but we are communicating that through the greatest dancers today, and showing how that work continues to evolve.”
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Choreographer Heather Stewart’s use of the stage space, while not “immersive” by the standard art world definition, is inventive and meaningful.
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It was a mind-blowing experience. Countless times in dance performances a choreographer strives to make movements on stage mimic music. But Dianne McIntyre was dramatizing a much deeper, more organic connection.
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