Commentary
A two week stay in Paris, April 11 through 26, delivered the sights and sounds crooned about in the well-known songs.
According to our docile mainstream media, Boston enjoys a perpetual Renaissance — the merchandise in the cultural window is always worth buying. And that predictability makes for very boring journalism.
Moving restlessly between independence and interdependence in style and content, the lecture captures the changeling quality that Gish Jen associates with those who must creatively manage multiple cultural influences.
Recent changes in Boston’s media landscape do not bode well for substantial coverage of the arts. What do those in the arts world think about what is happening?
Yesterday the folks behind Rdio.com, the online music subscription service, started unveiling Vdio, an online video rental and sales service.
None of these games engendered any suffering at all. They were already pre-designed for failure; a player has no chance of success. But isn’t part of the pleasure of gaming the repeated failures that, over time, lead to successes?
Artist Michael Lewy’s comprehensive, clever and surprisingly humorous take on an imaginary experimental settlement explores the ramifications of having human potential promptly assessed and harnessed for work, and work alone.
What kind of culture is produced by a society that lives and governs itself by opinion polls?
The more cerebral visitor may leave “Collision18:present” wondering if, like the classic definition of what constitutes pornography, ‘cyberart’ is firmly situated in the eye of the beholder (or of the curators).
Stage Commentary: The Need for a Theater of Transformation
Theater taught me how to draw parallels, to condense, to delete triviality and to recognize significance.
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