Books
Like James Baldwin, Alain Mabanckou is striving to see beyond comforting or righteous notions and grasp a world full of movement, migration, diversity, and unexpected mixtures.
Anyone interested in understanding Europe in the 20th century, or in the fascinating metropolis that is Berlin, or in a riveting depiction of down-and-out youth who refuse to surrender to the system–will want to pick up Blood Brothers.
Looking deeply into things and, by no means least of all, into other human beings implies meditating on brevity, on ephemerality—and this is what Tone Škrjanec does in this book.
Glow is a witty, accessible, but at times overly ambitious journey through the world of exotic drugs, the chemistry of romance, and the insidious effects of globalization.
In some essential and large way, novelist Colm Tóibin gets Elizabeth Bishop right.
Harvard Divinity School professor Kevin Madigan’s scholarly but always compelling exposition of the evolution of the church will spark introspection among practicing Christians.
Sometimes called the “Turkish Balzac” and, more often, the “Turkish Chekhov,” Sait Faik actually had a literary vision all his own.
Once you have wrestled with Paul Celan’s poetry, you may find yourself with a changed and sharpened sensibility to image and language.
Curtains? is not entirely satisfying, but I’ll give Michael M. Kaiser points for honesty, clarity, and for not dodging uncomfortable truths.
Arts Interview: America’s Arts Economy — Future Tragically Imperfect
Over the next two decades, slow-creeping climate change is coming to the arts in America — the arctic ice on which the creative class stands is melting.
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