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Some four centuries after Playhouse Creatures takes place, women are still facing inequality in the theatre world; companies like Maiden Phoenix are part of the solution to that problem.
Director Richard Linklater does something in Boyhood that is virtually unique. He filmed it over a twelve year period, so the actors actually grow older right before our eyes.
I’m miffed that three of the greatest documentaries ever produced, all from around Boston, didn’t make the cut on the Sight & Sound list.
4000 Miles is a showcase for dramatist Amy Herzog’s quirky sensibilities and canny insights into family dynamics.
Stage coverage at the Boston Globe/NPR brain trust is generally dedicated to serving the rich and the trendy — the publicity gum drop for Finding Neverland is the latest evidence that the fix is in for the fat cats.
Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
There are laughs in this production of Twelfth Night, but the romantic payoffs are scarce, perhaps because the sit-com rhythms tend to swamp all else (including some of the poetry).
Despite Woody Allen’s recycling of old ideas and plot points, his actors give such strong characterizations that I tossed my skepticism aside and enjoyed the moonlit ride.
From the start of Get On Up, James Brown’s life is reduced to the plastic clichés of music biography.
Shahrazad is the latest in Double Edge’s summer spectacles, and with this piece, director and designer Stacy Klein has found the perfect balance between story and visuals.
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