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The film urges the audience to take action against AI, but it is too symptomatic of today’s paralysis to be of as much help as it would like to be.
As this duet unfolds, it opens the way to musings about how a bed is a human-sized rectangle on which are projected dreams and nightmares, sexuality and erotic boundaries.
This exhibit is a fair reflection of the museum’s desire to spotlight work by artists who have traditionally been neglected by the museum world.
“Magellan” circles the world and the world circles the drain.
The “Look” of the 2026 Games succeeds at what should be its elemental function — the connection of beauty, athleticism, celebration, and memory.
Yun Ko-eun’s novel is a good, entertaining read that proceeds by a kind of literary Zeno’s Paradox: forever on the verge of some Big Revelation or vague Deeper Meaning without ever actually reaching them.
This week’s poem: Valerie Coulton’s “fifteen lines in February”
Theater Commentary: Live Theater—An Incomparable Art Form
Protecting live theater, along with the other arts that the NEA has supported, is urgent, and it begins, as it did with me, by loving theater, either as a regular member of the audience or as someone onstage or behind the scenes.
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