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Reading “February 1933”, just ten months into Trump’s second mandate is nothing less than unnerving.
“Stumble” is a welcome addition to the increasingly tired mockumentary genre.
Elizabeth Howard speaks with Dr. Shuvendu Sen—the director and producer of “Broadway, Bars & Fortune,” a documentary that explores how theater and the arts fosters healing and redemption among formerly incarcerated individuals.
There’s no question that the author of “Criss-Cross” approaches “Strangers on a Train” from a gay-centric viewpoint.
Luke O’Neil doesn’t have any solutions to our political dissipation, but he certainly knows how to diagnose its illnesses.
There is a sense that once wound up, the dancers are not going to let go – not from their power and not from their dreams.
“Summer, 1976” is a cleverly designed snapshot of a deep but fleeting friendship.
Film fans who love the style and spirit of early-thirties Hollywood will have to control themselves from drooling happily all over this fabulously written, photo-filled volume.
By Sarah Osman Jay Kelly is a shallow attack on shallowness. Jay Kelly, directed by Noah Baumbach. Screening at Coolidge Corner Theater, AMC Theaters, Landmark Kendall Square Cinema. Who are you when you’re always playing other people? And what happens when, even as “yourself,” you feel you are still playing a character? That is the…
The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues