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Critic David Thomson says the movies have profoundly shaped America, and not always for the better. “The Whole Equation: A History of Hollywood” by David Thomson. (Knopf) By Tim Riley The title of David Thomson’s provocative new history of film comes from a trenchant passage in F. Scott Fitzgerald’s novel “The Last Tycoon”: “You can…
Read MoreOne of Israel’s foremost prose writers has penned a masterful blend of autobiography and invention. A Tale of Love and Darkness: A Memoir, by Amos Oz. Translated from the Hebrew by Nicholas de Lange. (Harcourt) By Marsha Pomerantz In a memoir of 538 pages, it is hard to find a single image emblematic of the…
Read MoreThis novel about an American radical of the ’60s who flees to Africa displays a cool grasp of the barbaric machinations of globalization.
Read MoreBob Dylan’s first installment of his memoirs invokes the bard of old with engaging prose and an old carny’s sleight of hand. “Chronicles, Volume I” By Bob Dylan. By Tim Riley Bob Dylan is one of rock’s great trapeze artists. His songwriting is the stuff of literary aerobics, but his performances could re-attach your spine…
Read MoreDance icon Bill T. Jones confounds expectations about race and the power of stereotypes in two new dance pieces. “Reading, Mercy and the Artificial Nigger” and “Mercy 10×8 On a Circle” by Bill T. Jones/Arnie Zane Dance Company By Debra Cash Bill T. Jones would no doubt take umbrage at being compared to the white…
Read MoreBy Harvey Blume Nicholson Baker’s new novel is about a man obsessed with killing President Bush. Checkpoint: A Novel by Nicholson Baker. (Knopf) Nicholson Baker’s short, funny — and frequently tender — new novel consists of a conversation between Ben and Jay, high school buddies who haven’t seen each other in a few years, and…
Read MoreStudents and audiences of tomorrow deserve exposure to great dances, but they are not always getting them.
Read MoreA.J. Liebling’s classic work of journalism about the fight game is back in print.
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Dance Commentary: Facing Mekka
A new dance show by Rennie Harris serves as a valuable response to MTV’s commercialization of hip hop.
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