Tim Jackson

Movie Review: Oscar Nominated Live Shorts — A Very Competitive Year

February 22, 2012
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Five strong contenders: production values are high, the actors excellent, and four are beautifully grounded in their settings –- Norway, Calcutta, and two in Ireland.

Film Review: The Ottawa Animation Shorts Festival

February 2, 2012
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I recommend keeping an eye out for this and other animation shows at local, independent theaters and museums. You will be dazzled and amazed.

Coming Attractions in Film: February 2012

January 29, 2012
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You may be still catching up on the Academy Award, Golden Globe, People’s Choice, or SAG picks. But this month offers some rare and wonderful treats for film fans of all kinds.

Stage Interview: Antonio Ocampo-Guzman on Directing a Tragicomic “Art”

January 23, 2012
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In “Art,” playwright Yasmina Reza uses theater to explore how powerfully we defend our fears and rationalizations.

Film Review: The Hilarious Hells of Reza and Polanski

January 21, 2012
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As in the plays of Harold Pinter, Reza realizes that violence seethes underneath our words; our language betrays our better nature.

Stage Interview: Thomas Derrah on the Appeal of “Red”

January 13, 2012
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“Red” is about creativity and destruction, Apollonian rigor and Dionysian instinct, fathers and sons, love and rejection, life and death.

Coming Attractions in Film: January 2012

January 6, 2012
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This month and into February there is a treasure trove of rare treats and great opportunities to see all kinds of film around New England.

Movie Review: Of Vice and Men — “A Dangerous Method”

January 4, 2012
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“A Dangerous Method” fits neatly into director David Cronenberg’s body of work, which is often obsessed with a body-mind connection.

Film Review: Of Sex and “Shame”

December 29, 2011
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Director Steve McQueen’s skillful exploration of troubled human behavior and his use of New York as a psychological landscape make “Shame” off-putting to watch, while at the same time it draws us in. We have no moral compass beyond our own attitudes to ambiguous contemporary sexual mores.

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