Sarah Osman
With its fabulous ’50s costumes and visceral wrestling scenes, “Queen of the Ring” is a blast from the past.
“Fable for the End of the World” reflects our own uncertain condition — there are possibilities unknown, alternatives that even would-be godlings like Elon Musk and his ilk have not accounted for.
Yes, “Bridget Jones: Mad About the Boy” is a cheesy, predictable rom-com. But it doesn’t try to be anything that it’s not.
Cassandra is yet another critique of AI, but it’s also a provocative commentary on motherhood.
For those who are new to rom-coms, “Falling in Love at the Movies” is an informative introduction to their mechanics.
In their latest divinely idiosyncratic romp, Wallace & Gromit take on the threat of that most impersonal and worrisome technology: AI.
Let’s hope that “The Last Showgirl” launches a new phase in Pam Anderson’s career.
It’s wonderful to see the cinema do justice to the magic of this beloved musical.
“Hot Frosty” is dumb all right, but it’s also endearing, funny, and cute.
Just how unethical was the Stanford Prison Experiment? Could anybody — in good conscience — recreate it? Why does being given authority change people so radically?
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