Sarah Osman
Let’s hope that “The Last Showgirl” launches a new phase in Pam Anderson’s career.
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It’s wonderful to see the cinema do justice to the magic of this beloved musical.
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“Hot Frosty” is dumb all right, but it’s also endearing, funny, and cute.
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Just how unethical was the Stanford Prison Experiment? Could anybody — in good conscience — recreate it? Why does being given authority change people so radically?
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The enormously entertaining “A Virtuous Business” also offers a lesson in nerve and resilience that women everywhere should learn from.
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There are valuable lessons here, but I are afraid that this docuseries will be overlooked among all the more enticing, and sensationalized, witchy watchings.
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Was another helping of “The Platform” necessary? Maybe. But only if it was done right — and this is half-baked sci-fi horror.
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“English Teacher” is a wearier, snarkier version of “Abbott Elementary”.
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By not giving the material a refreshing 21st-century update, the film version of “Uglies” is an unattractive antique.
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Like the iconic series it covers, “After Baywatch” is all gloss, an airbrushed look at a show about sexy lifeguards.
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Arts Remembrance: In Memoriam — Tom Stoppard