Sarah Osman
Despite its title, this YA novel would be best described as an exercise in magic realist satire. Those looking for heaping helpings of the affluent will be disappointed.
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This Netflix series is a wittier, sassier, Spanish version of “Bridgerton”.
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The current state of Hollywood — terminal banality — is concerning. But that’s what makes it so perfect for a dose of acidic satire.
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The fourth and final season of Danny McBride’s demented comedy comes to a satisfying conclusion.
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With its fabulous ’50s costumes and visceral wrestling scenes, “Queen of the Ring” is a blast from the past.
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“Fable for the End of the World” reflects our own uncertain condition — there are possibilities unknown, alternatives that even would-be godlings like Elon Musk and his ilk have not accounted for.
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Yes, “Bridget Jones: Mad About the Boy” is a cheesy, predictable rom-com. But it doesn’t try to be anything that it’s not.
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Cassandra is yet another critique of AI, but it’s also a provocative commentary on motherhood.
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For those who are new to rom-coms, “Falling in Love at the Movies” is an informative introduction to their mechanics.
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In their latest divinely idiosyncratic romp, Wallace & Gromit take on the threat of that most impersonal and worrisome technology: AI.
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Arts Remembrance: In Memoriam — Tom Stoppard