Sarah Osman
As a legacy sequels “Happy Gilmore 2” one isn’t a hole-in-one, but it doesn’t roll into a sand trap either.
“Too Much”‘s swings from comedy to tragedy generate considerable whiplash.
Watching a historic reality show now takes on a different meaning than it did 20 years ago. Today, our reliance on technology borders on nightmare Ray Bradbury territory, so modern-day folks trying to survive on the frontier looks like an impossibility.
Considering the determination of the current administration to send America back to the 19th century (or even earlier, perhaps to the Dark Ages), “Lavender Men” supplies an entertaining — and valuable — history lesson.
“The Ugly Stepsister” emphasizes how fiercely beauty reigns supreme for women of all ages — especially those in the 1700s.
Given the current state of the world, we need more shows that not only entertain, but reflect the importance of community. And, if those programs accurately portray a close-knit group of people that has been misrepresented, all the better.
Despite its title, this YA novel would be best described as an exercise in magic realist satire. Those looking for heaping helpings of the affluent will be disappointed.
This Netflix series is a wittier, sassier, Spanish version of “Bridgerton”.
The current state of Hollywood — terminal banality — is concerning. But that’s what makes it so perfect for a dose of acidic satire.
The fourth and final season of Danny McBride’s demented comedy comes to a satisfying conclusion.
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