Peter Keough

Doc Talk: Errol Morris Exposes Trump’s Border Terrorism in “Separated”

October 25, 2024
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“Separated” is a compelling, urgent, and essential examination of an ongoing injustice that every American should see and ponder before going to the polls.

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Film Review: “Conclave” — Autumn of the Patriarchy

October 23, 2024
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Calling out papal bull in the twisty, provocative, and subversive “Conclave”.

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Film Review: “Rumours” — It All Ends with a Whimper

October 21, 2024
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Few other films this year will match the absurd satiric heights of director Guy Maddin’s “Rumours”.

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Doc Talk: The Boston Palestine Film Festival — Visions of Loss and Recovery

October 18, 2024
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At The Boston Palestine Film Festival: a recognition of what remains and a restoration of what is lost.

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Film Review: “The Goldman Case” — One More Time, J’accuse

October 17, 2024
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Cédric Kahn’s conventional but fiery true-life courtroom drama hones in on French racism and anti-semitism.

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Film Review: “A Different Man”– Odd Man Out

September 30, 2024
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It is on the universal theme of identity that “A Different Man” resonates most eloquently, demonstrating how who we are is not fixed but chosen, a mask we don whether it fits or not.

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Film Reviews: DocTalk at the Camden International Film Festival

September 12, 2024
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The cinematic shindig’s lineup features unconventional takes on familiar subjects.

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Film Review: “Close Your Eyes” — Through the Past, Darkly

September 6, 2024
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Spanish director Victor Erice looks back at what’s lost and gained in “Close Your Eyes”.

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Book Review: A Good Russian

September 6, 2024
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“Displaced” views life during wartime as seen by both sides.

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Film Revival Review: “Lost Highway” Takes Its Toll

August 23, 2024
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For David Lynch, “Lost Highway” is a transitional film of sorts, a limbo-like zone between the innocence redeemed in “Blue Velvet” and the innocence corrupted in “Mulholland Drive”.

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