Lauren Kaufmann
Viewing the art while strolling along the Muddy River gives city-dwellers and visitors a reason to linger and enjoy one of the city’s oldest and most beautiful open spaces.
This exhibition is evidence of the venerable museum’s interest in expanding its collections so that more voices and perspectives can contribute to our understanding of our own complicated history.
Phyllis Ewen ponders humanity’s perilous relationship with the earth, expressing her concerns through her artwork.
While he paints, Stanley Whitney listens to and is inspired by jazz. Miles Davis’s album “Bitches Brew” is his constant companion in the studio.
Reluctant to explain the meaning of her art, Leonora Carrington chose to let the magic and mystery of her inner life reveal itself through the imaginary animal/human creatures and fantastic landscapes of her paintings.
While offering a window into artist Fabiola Jean-Louis’s examination of her cultural and personal identity, the exhibit also provides a deeper understanding of the Haitian struggle for freedom.
The exchange proved to be as fruitful for the artists as it was for the Shakers.
The show may be a case of inside baseball, appealing to a small group of art history majors and museum lovers. But it offers a fascinating look at innovation at one of the country’s most revered, and most traditional, colleges.
This show is proof of the Harvard Art Museums’ commitment to display relevant work by living artists who are grappling with critical issues posed by our contemporary world.
This exhibition offers much to appreciate about South Coast women, whose lives and accomplishments have played a crucial role in shaping the region.
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