Jonathan Blumhofer
George Li’s latest release showcases a budding artist with a growing command of musical structure, technique, and character; Bruce Liu’s got the measure of Erik Satie’s music — next time, perhaps, he can take on more of it.
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Conductor Manfred Honeck and the Pittsburgh Symphony deliver a conspicuously satisfying and fluent Bruckner Seventh. Dutch violinist Janine Jansen also possesses an uncommon ability to enliven the familiar.
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John Wilson and his players clearly have the measure of Eric Coates’ tuneful, often clever, style and deliver it to the hilt; Aziz Shokhakimov and the Strasbourgers, though still on a learning curve, have a bright future ahead of them.
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The Kansas City Symphony’s new Brahms album with outgoing music director Michael Stern showcases three of his works with keyboard in arrangements for orchestra; Lahav Shani’s cycle of Bruckner symphonies with the Rotterdam Philharmonic Orchestra continues with a sterling account of the Fifth.
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Sir Simon Rattle’s latest traversal of Gustav Mahler’s Sixth Symphony is something special; Pianist Aurélien Pontier’s stylish disc is a celebration of the music of fin de siècle Vienna.
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Sir Mark Elder’s latest traversal of Edward Elgar’s two symphonies supplies orchestral playing of the highest level; Sir Antonio Pappano provides plenty of electrifying moments in a pairing of orchestral favorites.
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The debut album of Decoda, the first – and, so far, only – affiliate ensemble of Carnegie Hall, and a disc featuring a trio of works by two mid-century Chicago-based composers, Florence Price and Leo Sowerby.
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Some solidly impressive Mozart — aside from the filler, fifteen minutes of mono-dynamic, schlocky medleys.
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Two discs: Jamaican-American musician Jordan Bak celebrates music for the viola and a reconstruction of Charles Martin Loeffler’s abandoned Octet.
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There’s no question that either the violinist or the orchestra are completely at home with Julia Perry’s larger style or the notes: this is about as confident and secure a first recording as they come.
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