Jonathan Blumhofer
In an effort to give the proceedings an intimate, salon feel, the Symphony Hall stage was dotted with a couple of potted plants, three armchairs, and a pair of music stands; the cavernous environ of the space was still very much present, but one appreciated the effort to minimize it, even if only partially successful.
Read MoreJohn Adams’s Chamber Symphony brought out the best in Mr. Lewis as a conductor: it was fun watching him maneuver through the score’s intricate rhythmic patterns and his confidence was reflected by the Ensemble in a brash, involved reading of a far-too-little-heard (in these parts, at least) piece.
Read MoreA strong month featuring performances from the celebrated Borromeo String Quartet, vocal group A Far Cry, and new music from Sound Icon.
Read MoreDiscovery Ensemble is already the local ensemble to watch for their brilliant programming and energized performances. Now add to that their commitment to educational outreach and Boston’s underserved communities.
Read MoreMusical quibbles aside, the performances on both albums from Boston Modern Music Project’s in-house label, BMOP/sound, are top-notch.
Read MoreTo describe the contents of the CD “Hywel Davies” as trivial is to be generous.
Read MoreThe Worcester Chamber Music Society’s latest concert was inspired by an ambitious concept and it was played with conviction, but the performance was continuously dogged by problems with acoustics.
Read MoreJulian Rachlin is a Romantic violinist in the best sense: he has technique to burn, but isn’t overly showy. His tone is pure, his intonation impeccable, and in his playing the melodic line is – even in the busiest solo textures – given pride of place.
Read MoreHighlights of the month include performances from the admired vocal groups A Far Cry and the Lorelei Ensemble as well as early music programs from the Green Mountain Project and Dünya.
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Arts Commentary: Rich in Creativity — But Nothing Else