Franklin Einspruch
The ostensible theme of the exhibit “The Last Gesture” might be best regarded, then disregarded, as critic Charlie Finch’s attempt to channel his roiling cognitive slurry. The work itself doesn’t need it.
Read MoreSuccess assured? Critics and others discuss whether the MFA’s new wing, The Art of the Americas, lives up to the hype generated by the opening in the latest Judicial Review.
Read MoreLeonardo Drew has taken Louise Nevelson’s signature Cubist cabinets and turned them into something greater. By Franklin Einspruch. The career arc of Leonardo Drew began curling upwards over 20 years ago, and by the time his reputation had spread nationally in the early 1990s, identity politics had become an established feature of the art world.…
Read MoreThrough July 29th, the MFA in Boston is presenting “Alex Katz Prints.” Time to take a look at Arts Fuse Critic Franklin Einspruch’s thoughts on the artist, posted about an exhibition of Katz’s paintings at the Farnsworth Art Museum, Rockland, Maine.
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Arts Commentary: Rich in Creativity — But Nothing Else