It’s hard to adequately describe what a momentous exhibition this is.
The painter Albert Pinkham Ryder points a way towards materials, not just as a means or a substrate, but as a phenomenology, as a basis for a reflective life.
Go feast your eyes.
Frances Stark is making art about art about art..
Rembrandt’s casual scratches snap into recognizability with the surprise of stage magic. But there’s no trick, it’s the genuine miracle of talent.
Benton’s art looks very much of its time, especially this selection of work that relates to cinema. Don’t let that fool you.
Nothing takes center stage except the canvases by Helen Frankenthaler, which invite comparisons to every other piece in “Pretty Raw” and demolish the majority of them.
Harvard’s team of magicians have brought the Rothko murals back to life.
With the wild array of video, digital, performance, and public artists we have here, Illuminus is a natural event for Boston to host.
Goya: Order and Disorder is likely the most important exhibition on the New England museum calendar for the coming year and then some.