Arts Fuse Editor
David Bowie’s Toy is a solid, enjoyable, and buoyant effort from an artist who never failed to stay interesting and vital well into his later years.
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This is an opulent and ambitious historical drama, as attentive to small intimate scenes as it is to grandiose action sequences.
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The composer of Cavalleria rusticana brought his sense for characterization and drama to the all-too-plausible tale of a woman victimized by a cad.
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A suspenseful, finely-crafted historical thriller that reminds us that the triumph of evil depends on good men doing nothing.
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For prog fans who consider that the proof of the pudding is long, complex songs with virtuosic solos and exotic instrumentation, no fear: To The Far Away is multi-textured and musically exciting.
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At times, Laurel Hell’s withering fatigue is directed at the clash between commodification and art.
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Seeing Eleanor Antin’s 100 Boots all in one place is exciting — this work of “postal art” is still explosive. Fred Sandback’s minimalist pieces offer a quiet contrast.
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With the eyes of the world on Ukraine right now, two films at Sundance came from that country, or what used to be that country.
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Tenor Mathias Vidal shines, as does the period-instrument orchestra, in the rarely heard, trimmer version of 1761, on the Chateau’s own new award-winning label.
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Make what you will of this often page-turning confection, which if not particularly literary, may be a bunch of fun.
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Arts Feature: Best Movies (With Some Disappointments) of 2025