Debra Cash

Dance Review: Dystopian Dancing — Pina, a 3-D documentary

December 26, 2011
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As a dancer, Pina Bausch was the presiding spirit of speechlessness. She had the macabre body of an anorexic, but her matchstick arms communicated entire inner worlds.

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Dance Commentary: Martha Graham On the Couch

November 23, 2011
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Martha Graham famously said, “I wanted to find a way to reveal the inner landscape – to chart a graph of the heart.” So now it’s your turn to play therapist.

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Dance Review: The Emperor’s New Threads

November 19, 2011
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This is the fourth installment of Debra Cash’s coverage of events associated with the Institute of Contemporary Art’s Dance/Draw exhibition.

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Dance Review: Going with the Flow — Trisha Brown Dance at ICA

November 13, 2011
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This is the third installment of Debra Cash’s coverage of events associated with the Institute of Contemporary Art’s Dance/Draw — this time around its an appreciation of the Trisha Brown Dance Company.

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Dance Review: Bel Tells — Cédric Andrieux through the lens of Jérôme Bel

November 10, 2011
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The second installment in Debra Cash’s coverage of the ICA’s ambitious Dance/Draw series.

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Visual Arts Feature: Lining It Up — Dance/Draw at the ICA

October 13, 2011
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“Dance/Draw” at the ICA is a major exhibit about how moving bodies leave traces, what curator Helen Molesworth, not particularly originally, calls the “afterlife of dance.” To a lesser extent, it’s also about how visual artists think about motion when they’re not focused on particular bodies.

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Theater Review: Silver Spoon — A Lefty Valentine and a Missed Opportunity

June 1, 2011
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The musical SILVER SPOON is at its strongest when a lullaby evolves into a ballad about the arrest of a group of undocumented migrant workers.

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Fuse Dance Review: Walter Benjamin in Samoa

May 10, 2011
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Which suppests the quandary at the heart of choreographer Lemi Ponifasio’s work. Can sophisticated political critique be made outside the bounds of narrative? Can a poetic work without directionality enacted in a setting designed to be beyond specific time and place create an environment for redress, for action, for change?

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Fuse Book Review: Dance is Participation

April 1, 2011
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Like the Dance Exchange’s staged and site-specific productions, Liz Lerman’s “Hiking the Horizontal” is pieced like a quilt. Like Liz, it’s a little rumpled and gives the reader a lot of permission to go her own way.

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Movie Review: Swanday Bloody Swanday

December 21, 2010
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Black Swan isn’t about surpassing ordinary limits. It’s a film about a masochist seen through the eyes of a sadist. The film could be a textbook demonstration of what academics refer to as the male gaze—with a pretty young thing poked and dismembered under a misogynist lens. By Debra Cash Darren Aronofsky has said that…

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