Bill Marx
Some show biz flair-ups are dead debacles walking. Producers sparked a flap in Chicago recently by tossing accusations of foul play at a critic whom they claimed wrote about shows she didn’t have permission to review.
Bloggers predicted that CEO/President Josiah Spaulding Jr.’s over-the-top 1.265 million dollar retention bonus would spark inquiries into how much money goes where at the Citi Performing Arts Center (CPAC). It does not seem too much to ask, given that the state and other funders are throwing much moolah at a troubled nonprofit arts institution whose…
Revving up marketing machinery raises some uncomfortable questions: Why should donors give funds to a theater if their money is going to pay for focus groups and demographic studies rather than to support the work of artists?
The same publicity firm, Weber Shandwick, that launched the “got milk?” campaign is doing damage control for Citi Performing Arts Center and its beleaguered Chairman and CEO Josiah Spaulding, Jr. Perhaps a recent Boston Globe editorial calling for Spaulding to be replaced was the last straw. WS has sent out an image-repair “open letter” to…
When should a play be labeled dated and consigned to the junk heap of time? No playwright is safe from the charge of being called passé: one reviewer’s breath of fresh air from the past is another’s antiquated wheeze.
A certain number of people (not huge) want to read critics who take the arts seriously, who do more than tell readers what is worth spending their money on.
The Hub Review features a perceptively waspish consideration of Pauline Kael’s unhealthy influence on film reviewers, taking scathing aim at a couple of her jittery heirs, A.O. Scott of the NYTimes and Ty Burr of the Boston Globe. I particularly like Tom Garvey’s concluding paragraph: But if the Paulettes have all repudiated their maker, where’s her baleful…
The caricature of the theater critic as spoilsport still pops up, pushed by rescuers of the “injured” who enjoy delivering self-congratulatory whippings. No naysayers are allowed –- it hurts business. For once, how about looking at the ways that yeasayers do a disservice to theater and the craft of criticism? By Bill Marx Are theater…
By Bill Marx On June 21, the Boston Foundation announced that the Citi Performing Arts Center (CPAC, formerly the Wang Center for the Performing Arts) would be receiving $225,000. This is not only the largest single grant given to any institution for the quarter; it is the most money (by a long shot) the Wang/CPAC…
Arts Criticism Commentary: In Defense of Negative Book Reviews
“Criticism will always have the force of the child in the story about the emperor’s new clothes, because there will always be naked emperors who everybody says are wearing today’s Crown Jewels.” — Eric Bentley
Read More about Arts Criticism Commentary: In Defense of Negative Book Reviews