Bill Marx
Death, starvation, futility, revolution, exploitation — no wonder The Weavers is never produced in the land of plenty.
War is hell, as the Boston Phoenix theater critic Carolyn Clay would have it, but she doesn’t seem to realize that the inferno is a moving target. And it is the diminishing capacity of contemporary American theater to imagine violence and its effects that interests me most about the Huntington Theater Company’s current revival of…
By Bill Marx and Harvey Blume I was asked by National Public Radio’s Morning Edition to write an appreciation of the late Norman Mailer. I have posted an unabridged version of this necessarily short piece. After that, I have placed an interview Harvey Blume had with Mailer after the publication of his 1995 book Oswald’s…
Brazenly predictable, fearlessly anachronistic, Ronan Noone’s Brendan, which is receiving its world premiere production from the Huntington Theatre Company, is the kind of inspirational tearjerker comedy that is pleasant enough to sit through but damned depressing to think about.
By Bill Marx Edmund Wilson: A Life in Literature (Paperback) By Lewis M. Dabney. Johns Hopkins University Press, 672 pages, $25. Literary Essays and Reviews of the 1920s & 30s (Library of America #176) By Edmund Wilson. Edited by Lewis M. Dabney. 1026 pages, $40. Literary Essays and Reviews of the 1930s & 40s (Library…
Those uncomfortable with Wilson’s eccentricities suggest he should be admired, but dutifully, like a Roman statue stuck in the far corner of the lawn.
Who cares how the chairs are arranged or even who sits on them on the deck of the Titanic-“Globe”? As the popularity of online publications and blogs grows, the “Globe”’s tepid cultural coverage has become increasingly superfluous.
by Bill Marx The schizophrenia is instructive if somewhat dizzying. At the Calderwood Pavilion, the Huntington Theatre Company kicks off its season with “The Atheist,” a cynical exercise in scatological anti-heroism about a sleazy reporter who blackmails his way to fame. On its main stage at the Boston University Theater the HTC wallows in PG…
By Bill Marx The Atheist by Ronan Noone. Staged by the Huntington Theatre Company at the Calderwood Pavilion, Boston, through September 30, 2007. Machiavellian monsters aren’t what they used to be in the theater. The gloriously godless creeps that memorably rampage their way through the plays of Shakespeare, Jonson, Shaw and Brecht scale the dizzying…
Theater Commentary: The Story of O
The weakness of the play is so shockingly transparent –- the love birds spend most of the play orating their (occasionally) steamy letters to the audience –- that the explanation must be that Brand Shakespeare has struck again: companies figure that anything about the Bard will draw a crowd. by Bill Marx I wanted to…
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