Bill Marx

Author Interview: Jay Atkinson’s Memoirs of a Rugby-Playing Man — Remembrance of Punches Past

May 26, 2012
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If Wordsworth was right in saying that poetry is emotion recollected in tranquility, than a rugby memoir is a punch in the face reconsidered from a hospital bed.

Book Interview: Damion Searls on “Amsterdam Stories”

May 17, 2012
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Written by a man who spent most of his life in a bourgeois harness, Amsterdam Stories focuses on the fleeting thrills of refusal, the chemical and philosphical rush that comes from floating free of responsibility.

Theater Review: Boxed In — “Yesterday Happened: Remembering H. M.”

May 9, 2012
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Dramatist and director Wesley Savick faces a number of fascinating but formidable theatrical challenges, and the generally compelling Yesterday Happened (how could it not be, given its story?) takes an honorable, visually striking swipe at the problems.

Judicial Review # 8: Making Sense of the “Assassins”

May 8, 2012
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What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts and culture. This is our eighth session, a discussion about the Boston University College of Fine Arts production of the 1990 Stephen Sondheim/John Weidman musical Assassins, which looks at the lives and sensibilities of men and women who attempted (successfully or otherwise) to kill the President of the United States.

Theater Review: An Earnest “Troilus and Cressida”

May 4, 2012
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We are a long way from the love-destroyed-by-hostility pieties of Romeo and Juliet, but Actors’ Shakespeare Project director Tina Packer wants to make Troilus and Cressida fit into that reassuring and earnest mold.

Arts Fuse Editor Bill Marx Talks @ Boston University about Arts Coverage, Teaching, and Books in Translation

May 3, 2012
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One of my students at Boston University, Kyle Clauss, has a program on the school’s station WTBU. He had me on to talk about The Arts Fuse, teaching, and translation, among other issues. Here is the conversation, for those who are interested ….

Theater Interview: Beau Jest Sets Up Shop on Tennessee Williams’ s “Ten Blocks on the Camino Real”

April 23, 2012
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It is important for audiences to go to Ten Blocks on the Camino Real with an open mind. Do not expect a play like The Glass Menagerie. Go to hear a youthful Tennessee Williams’s marvelously poetic voice soaring in an unbridled, expressionistic way.

Theater Review: An Amusing “She Stoops to Conquer” from the National Theatre

April 15, 2012
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It is a pleasure to report that — driven by the lively direction of Jamie Lloyd and the skills of an energetic cast — the National Theatre production proves that even after two centuries Oliver Goldsmith’s classic can still dole out plenty of comic delight.

Theater Review: Viva The Andersen Project — The Loneliness of Making Art

March 28, 2012
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Director Robert Lepage’s “The Andersen Project” is a masterful meditation on the agonizing process of artistic creation. Few scripts bring the mixed essence of opportunism and magic of show biz together so effortlessly.

Theater Interview: “Deported/ a dream play” – A Tale of New England With Global Implications

March 18, 2012
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Many countries, including our own, still have not officially acknowledged that this genocide actually occurred and who was responsible. New England, and specifically the greater Boston area, has one of the largest Armenian populations in the nation.

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