Bill Marx
The high spirits and tolerance in this enjoyable production reinforce the director’s claim that this comedy is about expats striving for “a more balanced, egalitarian society.”
The strongest element in this Arlekin production is the indelible stage images of loss and love, death and despair, memory and resilience, dreamed up by director Igor Golyak and his talented production team.
A trio of companies — Barrington Stage Company, Great Barrington Public Theater, and, to a lesser extent, Berkshire Theater Festival — draw on the stage’s power to address our current political emergencies.
Overall, this is a satisfying production of a turn-of-the-century play that still underlines enduring economic inequity.
Back in February of 2024 I began to write a weekly column for the newsletter on Substack. A few readers have asked that I post these opinion pieces in the magazine. Here is a selection of my favorites.
Junior Programs undertook “a visionary rethinking of the potential relationship between the performing arts and the lives of the nation’s children, with the specific artistic innovations emerging organically from that rethinking”.
This is the most slickly engaging of Mfoniso Udofia’s scripts so far, its domestic melodrama enlivened by welcome humor, detailed characterizations, and moments of pathos.
We desperately need plays and musicals — produced by local companies with courage and nerve — that acknowledge that the cancer of autocracy is here, today, and becoming stronger. That is the demand — will any answer the call?
“Heart-work,” Roberta Silman’s new collection of stories, looks at the knotty intricacies of domestic life.
Arts Commentary: From the Editor’s Desk — By Popular Demand, 2025
Back in February of 2024 I began to write a weekly column for AF newsletter on Substack. A few readers have asked that I post these opinion pieces in the magazine. Here is a selection of my favorites of 2025
Read More about Arts Commentary: From the Editor’s Desk — By Popular Demand, 2025