Bill Marx
The strongest element in this Arlekin production is the indelible stage images of loss and love, death and despair, memory and resilience, dreamed up by director Igor Golyak and his talented production team.
Junior Programs undertook “a visionary rethinking of the potential relationship between the performing arts and the lives of the nation’s children, with the specific artistic innovations emerging organically from that rethinking”.
This is the most slickly engaging of Mfoniso Udofia’s scripts so far, its domestic melodrama enlivened by welcome humor, detailed characterizations, and moments of pathos.
The Russian dramatist’s expansive application of ridicule, his picture of human society as an endless chain of fools fooling fools fooling fools, couldn’t be more fitting — it is a funhouse mirror of our times.
Arts Commentary: From the Editor’s Desk — By Popular Demand, 2025
Back in February of 2024 I began to write a weekly column for AF newsletter on Substack. A few readers have asked that I post these opinion pieces in the magazine. Here is a selection of my favorites of 2025
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