Bill Marx
“Heart-work”, Roberta Silman’s new collection of stories, looks at the knotty intricacies of domestic life.
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The Russian dramatist’s expansive application of ridicule, his picture of human society as an endless chain of fools fooling fools fooling fools, couldn’t be more fitting — it is a funhouse mirror of our times.
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It is always a pleasure to see Ibsen on stage, but this production of one of his masterpieces is generally humdrum.
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Revelatory reunions are a standard dramatic setup, which explains why it takes quite a while for “The Grove” to gather some theatrical steam.
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This moving, at times beautiful, production evokes Michael K’s vision of purity, a rejection of collective cruelty and madness that asserts human dignity’s last stand — as an animal.
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The Rabbis Go South tells the story of a little-known episode in the fight for desegregation: 16 rabbis were invited by Martin Luther King to be part of the 1964 civil rights march in St. Augustine, Florida.
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A collection of quotes that have stung or sustained me over the past 12 months.
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Our critics salute the year’s outstanding productions.
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An eclectic round-up of the favorite books of the year from our critics.
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Arts Commentary: Climate Crisis Cabaret — Marching Orders
Why did I help organize the Climate Crisis Cabaret? Because these are not normal times. And we need more theater like it.
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