Aaron Keebaugh
The combined concert and gallery experience made one reconsider old clichés — E.M. Forster’s advice that art “only connect” took on an amplified resonance.
Earl Lee, the BSO’s assistant conductor, pulled off a memorable debut. Let’s have him back in the subscription series again, and soon.
Conductor and composer Thomas Adès brought more of his intriguing music to Symphony Hall this weekend with two selections from his recent ballet, The Dante Project.
What emerged was a lithe, almost Shakespearean rendition, complete with moments of unexpected humor and an infectious dramatic vitality.
Under the baton of Andris Nelsons, a listless Boston Symphony Orchestra delivered flat renditions of works by Shostakovich and Brahms.
The Emerson Quartet’s greatest strength lies in its ability to temper individual excess in favor of a lush corporate blend.
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