Aaron Keebaugh
Played and sung with verve in its New England premiere, “Frederick Douglass” stands as the most significant revival BMOP has undertaken in recent years.
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Through story, song, missives, and popular gibes at authority, the Boston Camerata program looked at kings remembered for their great deeds and those commemorated for their bumbling idiocy.
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Happily, the composers on this compelling BMOP program were not cowed by tradition.
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Russian composer Dmitri Shostakovich was both a rebel and a conformist, a fascinating hybrid of courage and cowardice.
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After more than a quarter century, with an impressive new venue serving as a platform, Radius Ensemble continues to expand its musical reach.
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Guest conductor Dima Slobodeniouk and the Boston Symphony Orchestra invited listeners to a meditative evening of music.
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Violinist Ray Chen and the BSO delivered one of the most seismic performances of Tchaikovsky’s Violin Concerto that I’ve heard.
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Navigating the clash between tradition and experimentation — they are often two vastly different artistic worlds — requires bold programming.
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Playing side-by-side on two different pianos facing in opposite directions on the Symphony Hall stage, Vikingur Ólafsson and Yuja Wang were as complementary, in a flavorsome way, as lemon and chocolate.
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This H + H Society performance suggested Handel’s genius for generating joy.
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Arts Remembrance: Tribute to Jazz Producer Alex Lemski