Aaron Keebaugh
Guest conductor Dima Slobodeniouk and the Boston Symphony Orchestra invited listeners to a meditative evening of music.
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Violinist Ray Chen and the BSO delivered one of the most seismic performances of Tchaikovsky’s Violin Concerto that I’ve heard.
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Navigating the clash between tradition and experimentation — they are often two vastly different artistic worlds — requires bold programming.
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Playing side-by-side on two different pianos facing in opposite directions on the Symphony Hall stage, Vikingur Ólafsson and Yuja Wang were as complementary, in a flavorsome way, as lemon and chocolate.
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This H + H Society performance suggested Handel’s genius for generating joy.
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When performed with this high level of polish and poise, even Mozart’s darkest music can make you smile.
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The group presented a program of edgy music with the bloom of youth.
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Kevin Puts’s mesmerizing song cycle probes the passion, loss, and resignation in the relationship between the artists Georgia O’Keeffe and Alfred Stieglitz.
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The only serious flaw in Boston Lyric Opera’s stripped-down staging approach to Aida was that not all the participants were quite up to the organization’s usual standards.
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Concert Review: Horizon Ensemble Ushers in a Festive Autumn
There wasn’t much autumnal despondency in this Horizon Ensemble program; it was dedicated to the upside of the season, an invitation to enjoy all its warmth, friendship, and festivity.
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