Aaron Keebaugh
Happily, the composers on this compelling BMOP program were not cowed by tradition.
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Russian composer Dmitri Shostakovich was both a rebel and a conformist, a fascinating hybrid of courage and cowardice.
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After more than a quarter century, with an impressive new venue serving as a platform, Radius Ensemble continues to expand its musical reach.
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Guest conductor Dima Slobodeniouk and the Boston Symphony Orchestra invited listeners to a meditative evening of music.
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Violinist Ray Chen and the BSO delivered one of the most seismic performances of Tchaikovsky’s Violin Concerto that I’ve heard.
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Navigating the clash between tradition and experimentation — they are often two vastly different artistic worlds — requires bold programming.
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Playing side-by-side on two different pianos facing in opposite directions on the Symphony Hall stage, Vikingur Ólafsson and Yuja Wang were as complementary, in a flavorsome way, as lemon and chocolate.
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This H + H Society performance suggested Handel’s genius for generating joy.
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When performed with this high level of polish and poise, even Mozart’s darkest music can make you smile.
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The group presented a program of edgy music with the bloom of youth.
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