Tim Jackson
This nuanced study in domestic malfunction is as universal as it is heartbreaking.
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“The Horse” probes the psyche of a man who believes, despite all that has happened to him, in the possibility of renewal.
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Compellingly, “Sing Sing” reinforces the belief that art, no matter where it takes place, has the power to heal, educate, and build community.
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As usual, Annie Baker is more interested in how viewers gather information, gleaned from bits of dialogue, than in wrapping up a neat plot or delivering a message.
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Four films at this year’s Provincetown International Film Festival shared the theme of face-to-face communication, exploring the pleasures and pitfalls of encounters unmediated by screens and phones.
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The relationship between the two leads keeps Nowhere Special grounded in what is the film’s moving core — a high-stakes love story between a father and a son.
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“Sasquatch Sunset”‘s directors claim they were interested in respecting the universal connection between man and nature, albeit with plenty of humor.
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The director did his research: he rode with EMTs so the Asphalt City’s grim vision is real and convincingly ramped up.
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Walking a fine line between fiction and documentary, director Sacha Polak has fashioned a film that is achingly real because it evokes life’s unpredictability.
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“Drums & Demons” is at times frustratingly unclear on dates, but its research is comprehensive about the brilliant career and disasterous end of drummer Jim Gordon.
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