Timothee Chalamet
It can’t be denied that “Marty Supreme” is effective as a wild trip. It’s an immersive experience — not an analysis of its self-adoring anti-hero.
Focusing on the years between 1961 and 1964, director James Mangold turns Bob Dylan’s creative journey into a better-than-average cinematic biography in which the singer ends up riding off on his motorcycle and into history.
Despite its flaws, “Dune: Part Two” is a grand, sprawling, and deeply intelligent science-fiction epic.
In a world that at times seems to have turned sour and colorless, “Wonka” brings much needed sweetness and beauty, making it a perfect diversion for the holiday season.
With Bones and All, Luca Guadagnino solidifies his place as a filmmaking maverick able to bend genre conventions in ways that express his own painfully beautiful artistic vision.
I can unequivocally say this is the most masterful and beautiful film of the year.
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