Short Fuse

TV News: “Mad Men” and the Mystique of the Sixties

June 11, 2013
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“Mad Men” gets all manner of undeserved attention. Yet I attend to it.

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Film News: “Star Trek” —The Borg Have Won

May 26, 2013
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If Plato had known of mind meld, you can be sure he would have applied to be a Vulcan.

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Fuse News: NYC’s The American Folk Art Museum — Destroying it as Vandalism.

May 13, 2013
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It’s notable and heartening when informed critical opinion manages to stop a juggernaut in its tracks.

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Short Fuse Visual Arts News: What is Good Art? Me and Barry McGee

May 7, 2013
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I don’t understand why the ICA has made the mistake of allotting a one man show to Barry McGee.

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Short Fuse Book Review: “Harvard Square” — Precincts of a Vanished Life

May 2, 2013
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What is Harvard Square today but a shopping spree waiting to happen, a student lounge, a food court? What could a novel gain by being set in that venue?

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Book Review: “The Dream Merchant” — Gambling with Power and Possibility

April 20, 2013
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Part of what made “The Dream Merchant” so compelling, and at times, harrowing, a read for me are its themes: love, loss, rags and riches, to be sure, but also the theme of aging, and associated loss of power and possibility.

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Fuse News Film Review: “The Gatekeepers” — Full of a Sense of History

April 13, 2013
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Israel has genuine enemies without, to be sure. But “The Gatekeepers” leaves the impression that it has no less mortal an enemy within.

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Short Fuse: Meditating on the Psychedelic Realism of “Mad Men”

April 6, 2013
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But there’s something else going on in “Mad Men,” all the more because it’s latent, unannounced, episode by episode. It’s this thing about art and advertising, and the difference, circa that era, if any.

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Fuse News: “The Boston Phoenix” Goes Down Ugly

April 1, 2013
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The once proudly and authentically counter-cultural paper The Boston Phoenix went out ugly, fawning on mobster Whitey Bulger.

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Short Fuse: The Art of Charles Krafft — Nazism in Modern Drag?

March 25, 2013
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It’s not a simple story. It’s a story about dreadful ideas, hideous politics and their interaction with art and aesthetic judgment.

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